The whole space aims to replicate the British factory, the designer uses the technique that is usually used in a movie scene: the rough paint wall, the orderly arranged exposed pipe. The barn door is also presenting the“make-do”feeling of an old British factory.
整體空間為了呈現英式舊工廠的氛圍，設計規劃上以電影場景處理的手法，牆面上粗曠的仿飾漆、管線裸露卻不凌亂，穀倉門的設計更呈現英國工廠的將就感。
The owner who has worked on leather over a long period of time, she had hoped to establish her own handmade workshop.The interior designer has visited several tannery, and after studying on the case for a while, the designer hoped to connect people during the process of the handcrafting, so they decided to open floor plan, letting people interact in this open space.
業主為手縫皮件師傅，長期耕耘手縫皮件製品，希冀能在竹北成立一間體驗手作生活的皮件工房。過程中，設計師造訪多間皮革工廠。經過時間的鑽研，設計團隊期望透過開放式的設計，便於進行皮件手作交流，讓各個來自不同區域的人，在同個空間達到情感交流。
The primary function of this space is to display the leather goods, and provide an open space for the handmade workshop. By using a gray palette, the designer emphasized the color and texture of leather. Also by adding the details with rough materials, a natural untrimmed feeling comes through the worn wood and corroded metal in the details.
一個全新皮件工房的複合式使用型態。此空間以體驗手作教室、展示皮件為主，為了呈現皮件自身的色彩及紋理，以灰階作為整體的基礎底色。細節以舊木紋的材料元素、金屬鐵件作為搭配，不同異材質的搭接使粗曠的工房交織出自然溫潤、不修飾的室內氛圍。
Through the layout of the space, minds settles while feeling the warmth of leather, letting more and more people experience the beauty of handicraft.
透過空間上的鋪排使人慢慢沉澱，在沉靜中感受皮革手作的溫度，讓更多人體驗到手縫皮件的工藝魅力。
使用材質
鐵件、特殊漆、實木板、水泥、鐵絲玻璃、壓模鋼板
